The police radio transmission is dissected using waveset granulation. This atmosphere is intensified by the use of a chopped up transmission of police radio that has been used as part of the sonic material.Ĭhanges of the sonic texture as well as the video images are controlled in real-time by an algorithmic pattern-generator.
Here, the visuals are expanded by the additional use of light fixtures.īecause of the perspective of the camera, issues of surveillance of public spaces are evoked. In a second section, two zoomed-in images of groups of persons form the focus. In the piece “Intersection” rapid changes between these two recordings and their color-inverted versions are taking place, creating an illusory impression of the otherwise static image. This active intersection shows people in transit as pedestrians, on bicycles, in cars or public transportation. Both recordings have been taken from exactly the same position, one during daytime, the other during nighttime. The visual material of Intersection consists of two video recordings of an intersection in the center of Zürich that were recorded in the Summer of 2012. For live-video, live-electronics and lighting
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